Steven Soderbergh’s new chiller takes place in one of the most troubled of all movie locations: an outwardly normal family ...
With the audience haunting a sad family through a spirit's POV, Steven Soderbergh's latest experiment is ultimately about the never-ending appeal of voyeurism.
By confining the camera perspective to the viewpoint of its unseen ghost, director Steven Soderbergh scores with a crafty ...
Steven Soderbergh’s Presence is being marketed as a horror movie, but there’s one thing audiences should know before they ...
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...
Steven Soderbergh has done this too, for his thriller “Unsane” and sports drama “High Flying Bird.” Charlie Kaufman’s poetic short film “Jackals and Fireflies” was shot on a Samsung Galaxy, and Danny ...
They’re selling “Presence” as a horror movie when it’s something else entirely: a ghost story as told from the point of view ...
A ghost story seen through the ghost’s perspective? That’s the unusual if compelling premise for Steven Soderbergh’s ...
Presence is a more delicate and nuanced haunted house movie that takes a more elevated route to horror as opposed to more ...
The story of the parents and children, as depicted by director Steven Soderbergh, is so interesting, it would work well even ...
The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” ...
The actor joins Q’s Tom Power to discuss her starring role in Soderbergh’s new horror thriller, Presence, which tells a haunted house story from the point-of-view of the ghost.
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