The writer-director tells IndieWire how his reinvention of a Universal horror icon reflected his own fears and anxieties ...

Leigh Whannell’s Wolf Man boasts some impressive filmmaking and fresh spins on werewolf lore, but its story lacks bite.

It’s a full moon at the box office. Universal and Blumhouse’s “Wolf Man” reboot has made $1.4 million in Thursday previews so ...

It's going to be a rather dull MLK weekend at the box office, that is unless Sony's R-rated femme comedy 'One of Them Days' ...

Wolf Man was called 'pulse-pounding' and 'terrifying' in first reactions, but the Rotten Tomatoes score leaves little to be ...

The director of 'The Invisible Man' creates another effective modern take on one of the iconic Universal Monsters ...

“The Invisible Man” opens with Cecilia (Elisabeth Moss) literally escaping an abusive and controlling relationship with tech tycoon Adrian Griffin (Oliver Jackson-Cohen). In the dead of night, she ...

"Wolf Man" has moments of suspense and psychological tension but leans too heavily on jump scares and a weak story, says film ...

Wolf Man director Leigh Whannell discusses why classic creatures like the werewolf, Nosferatu, and Frankenstein’s monster still matter, and what Hollywood can do to get them right.

“Wolf Man” then jumps ahead 30 years, to adult Blake (Christopher Abbott) out in a busy San Francisco enjoying daddy-daughter ...

Wolf Man is the next instalment in arguably the oldest franchise in cinema history. Universal Monsters, which evolved through the silent era, features iconic characters like Frankenstein, Dracula, The ...

This article contains mild spoilers for the film "Wolf Man" T his weekend marks the debut of director/writer Leigh Whannell’s ...