Alastair Mackinven, the musician, artist, painter, writer, and teacher, has died at the age of 53, following a long ...

If you’ve never been, Italy’s third-largest city is as frenetic, as chaotic, as you’ve heard; you need to keep your wits about you, remaining alert to the speeding motorini that are forever coming at ...

As one of your many, many perks for becoming a Quietus subscriber, we’re compiling a specially-curated, playlist for our readers every month. Given that last month’s playlist was handed over to the ...

Your final tQ subscriber download of the year comes from none other than our albums of the year chart toppers Ex-Easter Island Head, who speak to Patrick Clarke about ...

If you’ve read something you love on our site today, please consider becoming a monthly or annual tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you ...

Francesca Scotrick-Boyd catches up with artist Rachel Maclean to discuss fairytales and fake news ...

The Cult will tour the UK next year and have released new material earlier this month. Our man John Robb spoke to singer Ian Astbury about the history of The Cult, working with Boris and how the ...

Thirty years after its release, John Freeman looks back at an album fuelled by hatred which contains some of the finest songs of Steven Patrick Morrissey’s solo career John Mullen visits one of the ...

Upon the release of her new album Broken Gargoyles, Diamanda Galás discusses her unflinching exploration of soldiers mutilated by war, the album's roots in the poetry of Georg Heym and the photos of ...

Adam Lehrer talks to Phil Todd and Mel Ó Dubhshláine about the release of an expansive anthology charting almost 30 years' work by cult psychedelic band, Ashtray Navigations In this month’s Genre is ...

Barnaby Southcombe and his leading lady/mum Charlotte Rampling chat to Anna Coatman about their London noir, which opens in cinemas this Friday ...

The centrepiece of Wong Kar-wai's melancholy drama Happy Together is a raw depiction of gay romance, but it speaks to the filmmaker's wider fascination with Hong Kong migrant cinema, finds Ian Wang ...