Steven Soderbergh’s latest is a haunted house story told ... whose ‘monster’ behind the diner in Mulholland Drive was the last shock to produce this effect, along with a bit of a jaw drop). At the start of the film, we as the Presence wander around ...

"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors."

Oscar-winning director Steven Soderbergh takes us there in “ Presence ,” a ghost story filmed entirely in a New Jersey home. Unlike most films in the genre, the movie, in theaters Friday (Jan. 24), is told solely from the point of view of the ghost.

Steven Soderbergh’s “Presence” requires some initial audience disorientation. Mistake? If so, why do we miss David Lynch so much?

Reactions to the death of David Lynch, the visionary filmmaker behind “Twin Peaks” and “Mulholland Drive ... Director Steven Soderbergh, in an interview with The Associated Press.

Steven Soderbergh, who told The Associated Press ... He received nominations for directing "The Elephant Man," "Blue Velvet" and "Mulholland Drive" and, in 2019, was presented an honorary Oscar ...

I saw a good movie the other night, guided by a tight, 85-minute narrative and a gratifying seriousness underneath its supernatural premise. The film is “Presence,” made for a couple of million dollars,

Stars Callina Liang, Eddy Maday, and West Mulholland speak with ScreenRant to discuss shooting Steven Soderbergh's new POV thriller.

Bonus Apr 08, 1994 May 03, 1994 Mar 24, 1994 Bonus Ratio: 2 share(s) for every 1 shares held Bonus Dec 04, 1992 Dec 22, 1992 Sep 30, 1992 Bonus Ratio: 1 share(s) for every 1 shares held Dr. Reddy's Laboratories Ltd., incorporated in the year 1984, is a ...

Then I got a call saying, “Hey, you just got cast in this ABC pilot, Mulholland Drive.” I was like, “What, what? You don’t want me to audition?” Johanna said, “No, no, David just ...

The inventive director embraced POV filmmaking on “Presence,” his haunted-house film shot from the spirit’s perspective.

Soderbergh uses the barrier of the screen as part of the film’s story—as if to say we can look, but we can’t touch. Although this is all psychologically disconcerting, Presence is hardly a traditional work of horror.