The comforts and terrors of daily life, and our most private interior landscapes, inform every moment of a film by the Belgian writer-director Chantal Akerman ... in the mid-1980s and have ...

“Golden Eighties” contains Fosse-worthy musical ... it’s largely because of the way they were shot. To watch a Chantal Akerman film is to realize how heavily most directors rely on second ...

Though Chantal Akerman was not a household name ... I’m Cold” (1985), the musical “Golden Eighties” (1986), “From The East” (1993) and “Portrait of a Young Girl From the Late ...

Chantal Akerman’s great subject is dislocation: the difficulty of fitting in, of feeling at home, of being. It’s a theme this remarkable filmmaker -- born in Belgium but a professional nomad ...

Chantal Akerman, who has died aged 65 ... Her output during the 1980s and 1990s was eclectic: she directed documentaries and dramas, created video installations and even, with Golden Eighties ...

This is a making of a musical, with Chantal Ackerman behind and in front of the camera. It is mostly a collection of clips, talks, directions, and lectures, with the camera capturing the whole ...

The winning film will receive €7,500 ($8,100) in prize money from the Chantal Akerman Foundation and will be announced at the section’s closing ceremony. Akerman chose Fortnight to premiere ...

Chantal Akerman, a Belgian filmmaker known for her experimental films that closely examined women’s lives and meditated on existential despair and alienation, has died in Paris. She was 65.

When young Belgian director Chantal Akerman arrived in New York in the early ’70s, the city’s experimental scene was alive with an influx of structural films from giants like Michael Snow ...

The backing of the Fondation Chantal Akerman is viewed as both an expression ... plus her “Golden Eighties” (1986), “Sud” (1999), “La Captive” (2000), and “Tombée de Nuit sur ...