It’s likely you’re familiar with Barbara Kruger’s art even if you ... nor does she claim to make art that’s feminist. I ask Korek what she makes of that, and she tells me Kruger is ...

By Roberta Smith Barbara Kruger has changed the way the world ... Since the late 1980s Kruger has parlayed her skills as an artist, feminist, writer and graphic designer into some of the most ...

Barbara Kruger is in the news. The feminist artist who came to prominence in the 1980s is having a major moment at the Venice Biennale, with her site specific work Untitled (Beginning/Middle/End ...

Installation view, Barbara Kruger, David Zwirner ... “I never say I do political art, nor do I do feminist art,” Kruger told Interview in 2013. “I’m a woman who’s a feminist, who ...

Barbara Kruger, whose work is currently being exhibited at New York’s Whitney Museum, comes as close as anybody can to being the official artist of ... although she’s a feminist, she’s ...

Few contemporary artists are as recognizable, or as imitated, as Barbara Kruger. The American artist (1945—), who ... like conspicuous consumption and feminist thought, taking pithy phrases ...

One artist who achieved remarkable artistic success by utilizing advertising techniques from mass media is Barbara Kruger (1945 ... patriarchal biases from a feminist perspective and examined ...

Kruger’s magic and ... the dizzying pleasure of Barbara Stauffacher Solomon’s late ’60s supergraphics, and the dexterous word games of queer and feminist theory. Her minimalism hides the ...

Editions and Artist's Books Fair, New York, pub. Barbara Kruger is an American Conceptual artist known for her combination of type and image that conveys a direct feminist cultural critique. Her works ...

An installation on a Ukrainian passenger train by American artist Barbara Kruger is the latest high-profile artwork placed in Ukraine. It's meant as a show of solidarity with people there during war.

Photo: George Darrell The use of personal pronouns has long been a Kruger hallmark, one that agitates at the margins of how we respond or relate to her art by putting ourselves in it.