Napoleon, review: blunt-force charisma from Joaquin Phoenix in Ridley Scott’s dark, epic biopic
If, at 85, Ridley Scott has reached the final season of his filmmaking career, Napoleon is the ideal work of wintry grandeur to mark it. Scott’s 28th feature is a magnificently hewn slab of dad cinema with a chill wind whistling over its battlefields and round its bones: its palette is so cold,